Category Archives: Poetry

Drop Dead Gorgeous: 19th Century #BeautyTips for the Aspiring Consumptive @DrtySexyHistory

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“Although having an active (rather than latent) case of consumption was all but a death sentence, it didn’t inspire the revulsion of other less attractive diseases until the end of the 19th century when its causes were better understood.”

Dirty Sexy History

swoonPicture the ideal nineteenth century English beauty: pale, almost translucent skin, rosy cheeks, crimson lips, white teeth, and sparkling eyes. She’s waspishly thin with elegant collarbones. Perhaps she’s prone to fainting.

It shouldn’t be difficult to imagine; numerous depictions survive to this day, and the image is still held up as the gold standard for Caucasian women. At this point, it’s so embedded in the Western psyche as beauty that it doesn’t occur to us to question it. Of course that’s beautiful. Why wouldn’t it be?

By the nineteenth century, beauty standards in Britain had come a long way from the plucked hairlines of the late Middle Ages and the heavy ceruse of the Stuart period. Fashionable women wanted slimmer figures because physical fragility had become associated with intelligence and refinement. Flushed cheeks, bright eyes, and red lips had always been popular, particularly among sex workers (they suggested arousal), and women…

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How to cope with #cancer #treatment : @BlueHeronBW author Fanny Barry’s new release

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Today I’d like to welcome Blue Heron Book Works author Fanny Barry to talk about her re-release of I Wish I Knew:

Fanny: “So proud that my I Wish I Knew books for breast cancer patients, family, and friends have been republished! Nearly 15 years after the event, they are all together and in color, and available on Amazon: https://www.amazon.com/dp/0999146025 

“So blessed to still be here with them with the hope that they help others.
Thank you Blue Heron Book Works and my cousin and graphic designer extraordinaire Megan for making this happen. They could be the best thing I have done! But who knows, I am not done yet!”

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Fanny Barry’s trilogy, I Wish I Knew…Notes from a Breast Cancer Survivor is now in one full-color volume. Fanny gives wise and witty advice on coping with treatment, how to help friends who are undergoing treatment, and how to make sense of who you’ve become after undergoing cancer treatments.

About the author: Fanny Barry, a native of Boston, Massachusetts, is a writer, artist, engineer, and yoga teacher who wrote the I Wish I Knew books as part of her recovery process from breast cancer. She moved to Tulum, Mexico shortly after surviving cancer where she re-built her life from the ground up, literally. She recently published her memoir about her adventures in survival called Map of Life and Beauty. She manages a yoga studio and shalla in Tulum, Mexico called Tribal tribaltulum.com. She blogs at her website thatbarrygirl.com.

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LäGzz announces PURE WHITE LIGHT #musicvideo release #dance #edm

LäGzz announced the release of the video PURE WHITE LIGHT! This is the title track of the upcoming CD, to be released on February 23, 2018 by THE BUT! MUSIC GROUP.

Watch for the #releaseday FEB 23 #edm CD PURE WHITE LIGHT www.lagzz.com @butmusicgroup

The But! Music Group is excited to announce the February 23 release of the new electropop CD called PURE WHITE LIGHT by the band LäGzz! Watch this space for preorder links!

WATCH “​RWISA​” WRITE SHOWCASE​ TOUR #RRBC author @YvetteMCalleiro

Today I’d like to welcome #RRBC RWISA author Yvette M. Calleiro !

Yvette: RWISA is the Rave Writers – International Society of Authors, a prestigious organization that prides itself on including incredible INDIE authors.  I was recently accepted into this amazing group and am thrilled to help promote the talented works of RWISA authors.  I was chosen as the author for day one, so here is a new poem that I recently wrote. Enjoy!

Words

By Yvette M Calleiro

The written word and I

Are cherished friends,

Embracing each other’s thoughts and emotions

Like kindred spirits,

Dancing on clouds.

Bosom buddies who gossip and giggle

And gasp at all the same moments.

She and I are equals,

More than that, really.

We are two parts of a whole,

Complementing and complimenting the other,

Perfect beings.

The spoken word and I

Skirt around each other’s social circles.

We stumble around awkward pauses,

Unable to pull the perfect word or phrase

From our filing cabinet of knowledge.

Ease and grace flee without a moment’s notice.

She is more skilled than I.

She whispers her intricately woven ideas into my mind,

But her delicate strength is no match for

The hills of anxiety and the mountains of insecurity

That obstruct her path to freedom.

Before her words can reach my tongue,

They unravel into shreds of confusion,

Left unspoken.

If only the written word and the spoken word

Could meet…

They would live in perfect harmony.

But alas…

It is not meant to be,

Neither willing to leave her domain,

Each content to dance alone,

And I…

I am stuck in the middle,

Pulled in both directions,

Reveling in the comfort of the written word,

Needing the spoken word to survive.

But still I dream

Of the day when my words will intermingle

And a new love affair can be born.

Thank you for supporting this member along the WATCH “RWISA” WRITE Showcase Tour today!  We ask that if you have enjoyed this member’s writing, to please visit their Author Page on the RWISA site, where you can find more of their writing, along with their contact and social media links, if they’ve turned you into a fan.  We ask that you also check out their books in the RWISA or RRBC catalogs.  Thanks, again for your support and we hope that you will follow each member along this amazing tour of talent!  Don’t forget to click the link below to learn more about this author:

Yvette’s  RWISA Author Page

RWISA TOUR (1)

A War Poem #history #germany

Picture courtesy of Ferienwohnung Hauswald

She Told me a Story
by Laura Libricz

She told me a story. From the Sudetenland.
She remembered this one incident:
It was Easter 1944,
The Bohemian Forest.
The pastor came into her village.
He gave her an egg.
The egg she would never forget, she said,
The symbol of fertility,
Of new life, of nourishment.
That was the last time she saw the pastor alive; his caravan was destroyed by enemy fire.
She told me another story.
How he was taken from her:
Her prize gelding, three years old.
She witnessed his birth, raised him from a foal,
Slept with him in the straw.
The military took him away and didn’t pay a penny.
She shed a tear.
She told me another story.
The day the Czech soldiers came to expel them:
They took her grandfather’s watch, his only real possession.
He died that night, his heart broken.
She shed a tear.
After the expulsion.
Her feet ached from walking.
She watched the other women
Lost on the road, having left everything behind, pulling hand carts with trinkets,
The children silent, their eyes extinguished.
And no men.
But how her true love was taken away, she wouldn’t say.
She only told me that he snuck through her window
The night before he was to leave for the front.
He kissed her long and warm.
He made love to her that night, her first time.
He told her he loved her and would always hear her calling.
That night he gave her the greatest gift a man can give a woman.
He sowed a seed, gave her an egg, the symbol of fertility.
She bore him a son and still waits for him to return.
She shed a tear.

The Lady of Shalott


The Lady of Shalott by John William Waterhouse

The Lady of Shalott (1832)
Part I
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro’ the field the road runs by
       To many-tower’d Camelot;
The yellow-leaved waterlily
The green-sheathed daffodilly
Tremble in the water chilly
       Round about Shalott.
Willows whiten, aspens shiver.
The sunbeam showers break and quiver
In the stream that runneth ever
By the island in the river
       Flowing down to Camelot.
Four gray walls, and four gray towers
Overlook a space of flowers,
And the silent isle imbowers
       The Lady of Shalott.
Underneath the bearded barley,
The reaper, reaping late and early,
Hears her ever chanting cheerly,
Like an angel, singing clearly,
       O’er the stream of Camelot.
Piling the sheaves in furrows airy,
Beneath the moon, the reaper weary
Listening whispers, ‘ ‘Tis the fairy,
       Lady of Shalott.’
The little isle is all inrail’d
With a rose-fence, and overtrail’d
With roses: by the marge unhail’d
The shallop flitteth silken sail’d,
       Skimming down to Camelot.
A pearl garland winds her head:
She leaneth on a velvet bed,
Full royally apparelled,
       The Lady of Shalott.
Part II
No time hath she to sport and play:
A charmed web she weaves alway.
A curse is on her, if she stay
Her weaving, either night or day,
       To look down to Camelot.
She knows not what the curse may be;
Therefore she weaveth steadily,
Therefore no other care hath she,
       The Lady of Shalott.
She lives with little joy or fear.
Over the water, running near,
The sheepbell tinkles in her ear.
Before her hangs a mirror clear,
       Reflecting tower’d Camelot.
And as the mazy web she whirls,
She sees the surly village churls,
And the red cloaks of market girls
       Pass onward from Shalott.
Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd lad,
Or long-hair’d page in crimson clad,
       Goes by to tower’d Camelot:
And sometimes thro’ the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
       The Lady of Shalott.
But in her web she still delights
To weave the mirror’s magic sights,
For often thro’ the silent nights
A funeral, with plumes and lights
       And music, came from Camelot:
Or when the moon was overhead
Came two young lovers lately wed;
I am half sick of shadows,’ said
       The Lady of Shalott.
Part III
A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro’ the leaves,
And flam’d upon the brazen greaves
       Of bold Sir Lancelot.
A red-cross knight for ever kneel’d
To a lady in his shield,
That sparkled on the yellow field,
       Beside remote Shalott.
The gemmy bridle glitter’d free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
       As he rode down from Camelot:
And from his blazon’d baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
       Beside remote Shalott.
All in the blue unclouded weather
Thick-jewell’d shone the saddle-leather,
The helmet and the helmet-feather
Burn’d like one burning flame together,
       As he rode down from Camelot.
As often thro’ the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
       Moves over green Shalott.
His broad clear brow in sunlight glow’d;
On burnish’d hooves his war-horse trode;
From underneath his helmet flow’d
His coal-black curls as on he rode,
       As he rode down from Camelot.
From the bank and from the river
He flash’d into the crystal mirror,
‘Tirra lirra, tirra lirra:’
       Sang Sir Lancelot.
She left the web, she left the loom
She made three paces thro’ the room
She saw the water-flower bloom,
She saw the helmet and the plume,
       She look’d down to Camelot.
Out flew the web and floated wide;
The mirror crack’d from side to side;
‘The curse is come upon me,’ cried
       The Lady of Shalott.
Part IV
In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
       Over tower’d Camelot;
Outside the isle a shallow boat
Beneath a willow lay afloat,
Below the carven stern she wrote,
       The Lady of Shalott.
A cloudwhite crown of pearl she dight,
All raimented in snowy white
That loosely flew (her zone in sight
Clasp’d with one blinding diamond bright)
       Her wide eyes fix’d on Camelot,
Though the squally east-wind keenly
Blew, with folded arms serenely
By the water stood the queenly
       Lady of Shalott.
With a steady stony glance—
Like some bold seer in a trance,
Beholding all his own mischance,
Mute, with a glassy countenance—
       She look’d down to Camelot.
It was the closing of the day:
She loos’d the chain, and down she lay;
The broad stream bore her far away,
       The Lady of Shalott.
As when to sailors while they roam,
By creeks and outfalls far from home,
Rising and dropping with the foam,
From dying swans wild warblings come,
       Blown shoreward; so to Camelot
Still as the boathead wound along
The willowy hills and fields among,
They heard her chanting her deathsong,
       The Lady of Shalott.
A longdrawn carol, mournful, holy,
She chanted loudly, chanted lowly,
Till her eyes were darken’d wholly,
And her smooth face sharpen’d slowly,
       Turn’d to tower’d Camelot:
For ere she reach’d upon the tide
The first house by the water-side,
Singing in her song she died,
       The Lady of Shalott.
Under tower and balcony,
By garden wall and gallery,
A pale, pale corpse she floated by,
Deadcold, between the houses high,
       Dead into tower’d Camelot.
Knight and burgher, lord and dame,
To the planked wharfage came:
Below the stern they read her name,
       The Lady of Shalott.
They cross’d themselves, their stars they blest,
Knight, minstrel, abbot, squire, and guest.
There lay a parchment on her breast,
That puzzled more than all the rest,
       The wellfed wits at Camelot.
‘The web was woven curiously,
The charm is broken utterly,
Draw near and fear not,—this is I,
       The Lady of Shalott.’

Poetry Thursday

Write A Poem
by L. M. Steel

Lee

Reach up and touch the sky and run delicate fingers through the stars
Watch as the world around you disappears
Look back and see through eyes from afar.

See busy streets and towns run around
The lives moving like insect drones in motion
Look and see you among the chaos
Lost in amongst the commotion

Try and find the place you lost your way
Where you walked in someone else’s shoes
When you were first infected with society,
and at what point you became confused.

You moved in step with the rest of life,
You followed in their shadows and footprints
You have become slow and automated; there are no moments, no incidents!

You just watched landscapes fly by instead of looking and seeing the beauty divine
You think about targets for tomorrow instead of just floating away in your own mind.

Think back and remember when a tree told a story
When a field of rolling heather was a legend
When you saw magic and mystery in everything
When you could just close your eyes and pretend.

Step back and find your lost dream
Reach out and grasp your imagination
Step out of the ordinary clear light of day and back into the haze of your own destination

For you have become lost on the direct path
Succumbed to the world, weary weak and tired.
So reach up and touch the stars and dream
Look and See and once again be Inspired!

 
L.M. Steel

All of my links are here:
Website: www.lmsteel.co.uk
Blog: http://lmsteel1.wordpress.com/
facebook: https://www.facebook.com/lmsteeauthor
Twitter: @LMSteel1

My first novel Judged by Your Peers is available here

Everyone Has Their Secrets

Shay Works on the deli counter of a super market and lately there seems to be tensions between the counter girls that no-one wants to explain. Shay is pre-occupied with her own troubles though, you see Shay has a secret… She’s gay!
 
It’s 2009… what Shay thinks is the worst secret in the world, it turns out no-body’s really bothered about …except for the fact she’s married.
 
But Shay is then faced with something she was not prepared for…her friends have their own secrets, and one by one they all begin to learn about each other, with some shocking consequences…
 
An Alcoholic, An Adulterer, A Thief, A Racial Extremist and … A Paedophile???

I Survived NaNoWriMo

NaNoWriMo

…and lived to tell about it.

 
 
Inferno
by Laura Libricz

Thundering hooves speed away. Shouts fade.

Or is that the sound of roaring flames? 

The intense heat of the fire burns my cheek,

Nose stings from the smoke.  

Clothes cold and soaked, I open my eyes. 

I lie at the base of a tree in the mud;

Weak, can’t lift my heavy, humming head. 

Early August morning. The sun should be rising soon, 

But not through those billowing black fumes. 

I’ve taken a severe blow to the shoulder. 

He kneels next to me, his tired face partially lit by the burning barn.

The main house is on fire, too. 

He examines my wound. It’s not that bad, he tells me.

Help me, give me a drink.

Troops had rolled over the North Hill in the middle of the night. 

Mounted Croatian soldiers rode down into the hollow

Where the farm lays exposed and vulnerable.  

Many came. 

Crabatten, they call them, they wear red sashes.

Hard to judge their numbers by the pounding of drums,

Snorting, screeching horses. 

They fight for the Catholics, they say.

Ununited Germany a fine stage for battle.

Luther assured us that no Hell Fire awaits us

Because here it is, on Earth, stinging my nose.

No walls separate the farm from its attackers, like the big cities. 

Everything went so fast,

They settled on us, they were gone, they left nothing whole this time.

I squint at the heap of smashed furniture ablaze in the farmyard. 

 The riders flew through the paddocks, with torches,

And lit the buildings on fire. 

As if a rushing wind carried their campaign

And our animals away.

I ran behind a shed that wasn’t burning, a soldier came up behind me. 

Sliced me down with his sword. 

I crawled out of the way. 

I never thought it would come to this.

No, that’s not true—I knew it would come to this. 

I’m surprised we held out this long.

My daughter. A tear.

Help me, give me a drink.

He sniffs the bottle.

If the war doesn’t kill you, this stuff will.

He crouches like a cat poised to flee.

My daughter. Where is she? A tear.

Soldiers savor young girls.

They’ve unburdened us of our possessions,

Relieved the barren fields of trampled fruits,

Are saving us from our heathen ways.

We pay,

We are grateful,

And our wicked souls rejoice.