Category Archives: Books

“Live more. Be less afraid.” #BHBW author @jmcgarra Jim McGarrah answers 25 Q #authorspotlight

JimPrincetonJim McGarrah:  Marine, social worker, carpet layer, janitor, bartender, race horse trainer, and college professor, McGarrah now lives in the Blue Ridge Mountains of Georgia.  Jim McGarrah’s poems, essays, appear frequently in literary journals such as The American Poetry Journal, Bayou Magazine, Cincinnati Review, Connecticut Review, and North American Review.  He is an award-winning poet and author of four books of poetry: Running the Voodoo Down (Elixir Press, 2003); When the Stars Go Dark (Main Street Rag, 2009); Breakfast at Denny’s (Ink Brush Press, 2013) and the Truth About Mangoes (Lamar University Press, 2016).  His memoir of war, A Temporary Sort of Peace (Indiana Historical Society Press, 2007) won the national Eric Hoffer Legacy Non-Fiction Award, and the sequel, The End of an Era, was published in 2011. He is editor, along with Tom Watson, of the anthology Home Again: Essays and Memoirs from Indiana and the former managing editor of Southern Indiana Review. His memoirs Off Track and Midemeanor Outlaw were published by Blue Heron Book Works.   

  1. Does writing energize or exhaust you?

Writing does both things, especially if you feel like you’re writing well. The energy that generates my creativity is often very emotionally intense and when that energy is spent, I’m drained emotionally for a time. I had a mentor in grad school years ago, a very highly respected poet, who cautioned me that the type of writing I did would cannibalize my emotions and I would need to rest from time to time and replenish that autobiographical material. I’m one of those people who live to write and write to live. This isn’t my job. It’s me.

  1. Did you ever consider writing under a pseudonym?

No. That would defeat my purpose, I think. My identity is at the core of my writing.

  1. Do you try more to be original or to deliver to readers and the audience what they want?

This requires balance. Solomon said in Proverbs that there was nothing new under the sun. And, there was an Egyptian writer whose name I can’t remember and couldn’t pronounce even if I did who wrote about his battle 4,000 years ago to say something that hadn’t already been said. So, the struggle for originality lies in the “way” we say things, not the themes we reflect on. To answer the question, I want to be original in how I write and connect with my audience in what I say. But, for me that requires a certain honesty that means I can’t always give the audience what they want to hear. As a poet and an essayist, I think my function is more related to describing what it means to be human, which isn’t always pleasant and doesn’t always have a happy ending. I want what I write to be true and in a way that is accessible to others both.

  1. Do you think someone could be a writer if they don’t feel emotions strongly? 

Certainly. The emotionally depth of what is written depends on context. A writer of a brilliant technical instructional book does not have to be emotional invested in the information to communicate it. On the other hand, literary writers are most assuredly and deeply connected to plot, character development, and themes in their material. And in telling a story or writing a poem, the writer needs to communicate that emotional connectivity to a reader. Literature we understand, but don’t necessarily feel, tends to be a huge sleep aid.

  1. What other authors and creative people are you friends with, and how do they help you become a better writer?

I have a fairly large network of writers and poets that I stay in touch with, some whose names you would recognize instantly, and some who are better writers that you’ve never heard of and probably never will. I have two or three close friends that I rely on for “first” readings of my material because they are excellent editors as well as writers and they’re honest with me. If something isn’t working they have no qualms about saying, “Jim, this sucks.” That forces me to re-evaluate, revise, and reflect on what I’m doing and why. But, I don’t limit my association to writers. That seems a good way to limit rather than expand your thinking.

  1. What sort of projects are you working on now? 

I’m in the process now of putting together a “New and Selected” volume of my poetry from over the past twenty years for a university press. Also, I’m trying to help sell copies of my newest nonfiction work from Blue Heron Book Works – Misdemeanor Outlaw. Unfortunately for my editor Bathsheba Monk, I’m a terrible business person.

  1. Do you want each book to stand on its own, or are you trying to build a body of work with connections between each book?

Each of my ten books so far does stand alone, but although I’m not attempting to make connections, they are inherently connected because I’m an autobiographical-type of writer. Most of my work is based, in some way, on my life experiences.

  1. If you could tell your younger writing self anything, what would it be?

Live more. Be less afraid.

  1. How did publishing your first book change your process of writing?

Fifteen years ago I won a national book competition with my first full-length collection of poems. One of those good writers and friends we were talking about earlier, Victoria Redel, laughed and said over a celebratory drink, “Enjoy yourself tonight because tomorrow you’ll wake up and find that the world is the same. Nothing has really changed. You just go back to work.” She was correct.

  1. Is there any one author that influenced you somehow?

I’d have to say Hemingway and Mark Twain in how to tell a story, Dylan Thomas in the use of language, Bruce Weigel and Tim O’Brien in how to write about the hard things in my life. But, I’d hope that everything I read teaches me something.

  1. What’s your favorite under-appreciated novel?

The USA Trilogy by John Dos Passos

  1. As an artist, what would you choose as your mascot/avatar/spirit animal?

I’m going to answer that with a poem from my latest collection of poems The Truth About Mangoes (Lamar University Press, 2016)

How to Find the Animal Inside

 

Today I took a quiz,

one of those internet pseudo-scientific lists

that some fool thought up while snorting bath salts,

and found out my past life was spent roaming

among trees and rivers in the American West.

No, I was neither cowboy nor Indian.

As it turns out my personality evolved

from Canis lupus in various tell-tale ways.

I am swift, agile, and cunning. Well,

at least I’m a cunning linguist.

If you ignore the bad knees and arthritic hip,

one out of three ain’t bad.

I value my family’s well-being above all else.

That’s true, but they refuse to believe it if I’m driving.

As far as being master of both day and night,

I nap well in darkness and light.

This quiz states that the wolf has a fiery temper,

which may explain my multiple marriages and a face

remodeled several times by knuckles. To be fair,

my father compared me more often to a catfish than a wolf.

He said, “You’re all mouth and no brains.”

Of all the answers given that prove my swap

from wolf to human, the most accurate is “not very social.”

Ask a friend of mine, if you find one. I’d like to say

this self-examination, like my last testicular one, found no

abnormality or tragedy,

but the wolf may not agree.

 

  1. How many unpublished and half-finished books do you have?

Three

  1. What does literary success look like to you?

A better brand of bourbon

  1. What kind of research do you do, and how long do you spend researching before beginning a book?

Most of my research comes from living as vividly as I can. I will do some historical research, especially news media, when writing nonfiction (names, dates, places, etc.)

  1. Have you read anything that made you think differently about fiction?

I’m not really sure what this question means. I’ve always believed that fiction (i.e. the writing and telling of imaginative stories) is an art form that far surpasses the recording of history itself in what it reveals about the society and culture that creates it because it allows the reader into the minds of the characters. I guess some would argue that since its conception of an actually form called the novel, probably somewhere around Cervantes and Don Quixhote, novels have entertained and educated us in ways no other genre has done. And, some would argue that the form of the novel has become stagnant since Barthelme and post-modernism, that it has reached the outermost limit of its evolution. I can see both sides. My favorite period in fiction runs from Conrad and Joyce through Hemingway and Faulkner. I guess critics call that the Modernist period. Certainly, the current darlings of the critics like Jonathan Franzen bore me to death. But, I still see really good stuff, especially in historical fiction, because written well it speaks to contemporary issues as your own The Master and The Maid speaks to present roles of women in our society, how they’ve changed and how they still need to change even more.

  1. Do you read your reviews? How do you deal with bad or good ones?

Sure. Even the negative ones give the book free publicity. I deal with them like I deal with writing workshops. I listen. What improves my writing I incorporate, what doesn’t or is personal, I ignore.

  1. Do you hide any secrets in your books that only a few people will find?

Not really secrets. I deal with nonfiction-memoir events that really happened to me personally and how I remember them, so I do often change the names to keep from embarrassing the innocent and the not so innocent. Maybe in that way, I hide certain things.

  1. What was your hardest scene to write?

I think the scene of combat in which I lost a very close friend and my violent reaction afterward in the book A Temporary Sort of Peace (Indiana Historical Society Press, 2007)

  1. Do you Google yourself?

Sure, when I’m drunk. It helps me remember that I’m only a legend in my own mind.

  1. What one thing would you give up to become a better writer?

I don’t have the slightest idea since it is so tied with my own identity, my self as it were.

  1. What is your favorite childhood book?

As a pre and early teen I was fascinated by the romantic adventures written by authors like Alexander Dumas (The Three Musketeers) and Raphael Sabatini (Scaramouche) and Stevenson (Treasure Island) and the biographies of famous 20th century baseball players like Ty Cobb, Joe DiMaggio, Ted Williams and others. One I especially enjoyed was the story of Jim Thorpe, the great Native American athlete.

  1. If you had to do something differently as a child or teenager to become a better writer as an adult, what would you do?

I haven’t the slightest idea.

  1. How long on average does it take you to write a book?

I’ve written ten books, twelve if you count two not good enough or ready to be published, in the last 15 years. Sometimes, I’ve worked on two at simultaneously. But, I’m seventy years old and slowing down somewhat.

  1. Do you believe in writer’s block? 

Not as most people believe in it. There is a difference between writing and writing well. There are no periods when we can’t write, but there are certainly periods when we don’t write well. I’ve learned to adjust to those periods by labeling them hot and cold in my mind. Although my shrink tells me that most writers have to deal with some bi-polar traits, I simply call them my times of writing new stuff (hot) and my times of revising old stuff (cold). My doing that, I stay busy and don’t get bogged down by inertia or existential dread.

 

 

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5***** #review for #historicalfiction novel THE SOLDIER’S RETURN #germany

SoldiersReturnSquare

Author’s new book receives a warm literary welcome.

Readers’ Favorite announces the review of the Fiction – Historical – Personage book “The Soldier’s Return” by Laura Libricz, currently available for Kindle and in paperback at http://www.amazon.com/gp/product/0999146017.

Readers’ Favorite is one of the largest book review and award contest sites on the Internet. They have earned the respect of renowned publishers like Random House, Simon & Schuster, and Harper Collins, and have received the “Best Websites for Authors” and “Honoring Excellence” awards from the Association of Independent Authors. They are also fully accredited by the BBB (A+ rating), which is a rarity among Book Review and Book Award Contest companies.

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Reviewed By Arya Fomonyuy for Readers’ Favorite:

After ten years, a young Dutchman, Pieter van Diemen, is returning to Amsterdam in chains, after being captured and imprisoned in the Spice Islands. But he can’t stay in Amsterdam. After his escape, the only place he hopes to find solace is Sichardtshof, a farm in Franconia, Germany. But after being away for ten years, will it still be the same and will he still find the hospitality and warmth of the patrician, Herr Tucher, and his maid, Katarina? Follow the protagonist during a period of turbulence, of conflict between Catholics and Protestants. It is against this backdrop that Pieter navigates through deadly traps and dangerous terrain to find refuge, but can he? The Soldier’s Return by Laura Libricz is a powerful historical novel with a strong setting and memorable characters.

The language is what first caught my attention: it is beautiful, at times poetic, and it unveils elements of the religious, historical, and cultural settings in intelligent and relevant ways. Apart from writing a gripping story, Laura Libricz has taken readers on a historic ride to relive the religious conflicts of the seventeen century, weaving into her narrative great social, religious, and political commentaries. I enjoyed the descriptive style of the narrative, the well-written dialogues, and the surprises and twists in the plot. The tone is unique and compelling, the conflict huge and masterfully handled. It is no wonder that The Soldier’s Return will appeal immensely to fans of historical novels with great settings and compelling characters.

 

#Writing about a location – Do you have to go there? @dmassenzio ‏

Great post from Don Massenzio regarding writing about a location:

Author Don Massenzio

One of the most important aspects of your writing is the setting. You want to accomplish a couple of things when you write about a particular place. First, you want to give your reader a sense of the place you are writing about in a descriptive way that transports them there. There are books I have read that have made me feel that I was experiencing the place even if I hadn’t been there. One of my favorites, To Kill a Mockingbird, made me feel the humidity of Alabama. The Shining gave me a chill through Stephen King’s description of the unrelenting winter around the Overlook Hotel.

There are authors that excel at describing their surroundings. Dean Koontz is especially astute at describing indigenous vegetation in California, where many of his books are set. In his Odd Thomas series, the fictional California desert town of Pico Mundo comes to life…

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What this #author learned by completing the second novel #MondayBlogs #RRBC @4WillsPub

Thanks to Suzanne Burke for hosting the second day of my blog tour! Check it out here and don’t forget to say hello!

Welcome to the World of Suzanne Burke.

LAURA LIBRICZ COMPLETE TOUR MEME

Hello, and welcome to this October 2nd leg of author Laura Libricz’s Tour.

What this #author learned by completing the second novel @lauralibricz

This last year has formed my writing more than any of those past. These five lessons I’ve learned have pushed me from a novice to an advanced novice. For the first time, I am proud of my project. I say that with a humble heart because without those who work with me, this project would never be in the form it is now.

1. I can take criticism.

This last year, I learned how to take criticism. This was the most important lesson. Finally, I am able to dampen that personal, precious attachment I feel about my project. I am separate, a living person, and the project is just that, a piece of work. It is not me. I originally wanted to release The Soldier’s Return in…

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Overcoming #shame: Time to Let in the Light @harmony_kent #RRBC #MondayBlogs

Today I’d like to welcome RRBC RWISA author Harmony Kent to share her piece: Live or Die?

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Live or Die?

by Harmony Kent

Sometimes, you need to accept help. Sometimes, you need to admit that you need it. Sometimes, you need to take the hand that’s offered. You reached out and took my arm. I let you. I took the assistance I needed. I gripped your hand so that you could pull me to my feet. The last thing I needed was for you to slit my wrists. So much blood. All that carnage. My heart ripped right out of my chest.

I did my best.

Though, what kind of an epitaph is that?

Do I want that immortalised on my headstone?

Does that adequately sum up a life?

What about all the rest?

At the end of the day, what’s left to show for all that struggle, all that pain?

Right now, only one thing remains certain, that things can never be the same. That river? Already crossed. That road? Already travelled. That life? Already lived.

No going back. Not ever.

Going forward, though? Now, there’s the question.

For this gal, only one choice remains. Live or die?

Sometimes, you need to accept help. Once bitten, twice shy and all that, though, ya know? Truth be told, I’ve come to the end. Like I said, no going back. The rub is that I can’t go on either. The wind whips my hair into my face and throws cold pellets of rain at me. I shiver and dig deep for the courage. Never did like heights, yet here I stand. To jump or not to jump? That is the question.

The darkness wraps around me and locks the breath in my lungs and my feet in place—leaves me perched here in a daze. The metal burns cold within my death grip. With pulse racing, I edge my left foot forward a couple of centimetres, and then bring the right one up level. Perforce, I have to let go of the steel girders now. I’ve taken a step too far. Sweat breaks free from every pore and soaks this trembling mass of flesh, muscle, and sinew. With a heart this broken, how does it even continue on?

‘Miss? Are you okay? … Miss?’

At the unexpected voice, I twist and startle. A man reaches for me, indistinct in the arc-sodium lights.

‘Miss? Here, take my hand.’

A sudden gust buffets me from behind, and I stumble forward, a scream frozen in my terrified throat. All of a sudden, it hits me, I don’t want to die. Too late, however, as I’m off balance and too close to the edge. Dimly, as I fall, I see that it’s not about living or dying but about having the choice. It seems the wind has finished your job for you. Limp and spent, I plummet to the waiting river below, which sends up cold plumes of spray and waves like open arms welcoming me in and under to die beneath.

Sometimes, you need to admit that you need it. At the first swallow of brackish water, I swallow my pride, and every molecule of this being cries out for help. I should have grabbed his hand. Should have, but could I have? Would I have if given the chance? More ice-cold water pours into my throat and drowns my lungs. All the philosophising ceases as it becomes a fight for life. The cold pierces and stabs like a knife.

Tired and afraid, and no longer quite so numb, I kick, searching for the surface. Already, my limbs have gone stiff. The pressure in my chest has grown unbearable, and I have to take a breath, even though I know it will mean certain death. I just can’t do it. Can’t hold it all in anymore. Bubbles erupt when the life-giving air breaks free of my now open lips.

They show me the way when they float up, up, and up.

For a second, I hesitate. Do I go for it or not? Here is my chance for total surrender. To not have to fight any further. Do I have the energy? The will? At the end of the day, what’s left to show for all that struggle, all that pain?

I did my best, but I don’t want that on my epitaph.

My legs kick and arms stroke, pushing through the murk and trying for air. With this exhaustion and cold, I doubt I’ll get there. By now, the bubbles have long gone, but I’ve come near enough to discern the orange city glow. Not far now. One more kick. One more. That’s it. Just one more.

Sometimes, you need to take the hand that’s offered. I come to, afloat on my back, and the icy waves provide my waterbed. Way up high, atop the bridge, come the blues-and-twos, as the emergency services rush to the scene of my demise. Don’t they realise that I’ve fallen too far from reach? Beyond any assistance or redemption.

It seems as if hours pass me by while I drift in and out and upon. This time, a deafening roar causes me to rouse. A shadow flies through the sky, trailing a bright beam. The search is on. These arctic temperatures have other ideas—so much so that I’ve begun to feel warm. A bad sign. Sleepy too.

Impossibly white light hits me and burns my eyes. I raise a hand to cover them and, immediately, lose my buoyancy and sink back into the dark. The search light now glows dimly above the water. Too tired, too cold, too done to even try and fight, I let the river have its way.

The universe has other ideas, it seems, and once again, I lose the choice. Strong hands grip my armpits and haul me upward. To the artificially lit night and the cold and the air and the despair. Oh, love, what did you do to me? So much blood. All that carnage. All those lies and abuse. What’s the use?

You reached out and took my arm. It all unfolded in a blur and strobe-like snapshots—the winch into the helicopter, the medi-flight, and them getting me here. Trouble is, I think they left my heart there.

A nurse bustles into the private room and pulls apart the drapes. ‘Time to let in some light,’ she says. Oh, how wrong could she be? The last thing I want to do is see. Right now, only one thing remains certain, that things can never be the same. I want to stay in the dark; hide from my shame.

‘You have a visitor.’ Her voice sounds far too bubbly. It hurts. ‘The police officer who tried to help on the bridge.’ A shadow crosses her face. Then she gets busy tidying the bedding and then me. ‘I’ll just go and show him in.’ Once again, I don’t get a choice. No time to find my voice.

The door opens slowly, and I lay with baited breath. A young man eases in, dark hair and chocolate eyes, with a smile that feels like the most glorious sunrise. ‘May I?’

His question gives me pause. Never before did anyone ask my permission. Dumbstruck, I give a mere nod. My visitor edges to the bed and takes a seat on the hard plastic chair that the nurse placed there. We sit in silence for a while, and then his eyes find my scars. So many. Clouds snuff out that beautiful dawn and darken his face.

Now, he’ll make his excuses and take his leave. He’s done his bit. But no. Instead, he takes my hand. Looks into my eyes. Somewhere from the edges, I register that he doesn’t have on his uniform. ‘It’s okay,’ he tells me, fingers rubbing mine. ‘You’re safe now. We’ll make this right.’

Uninvited, a sob brings the elephant right into the room. ‘No one can,’ I croak.

‘It’s okay. He won’t hurt you again.’

‘You know who I am?’

He nods, gives my hand a squeeze. ‘We know everything.’

All I want to do is shrivel up and crawl within.

With both hands, he reaches out and takes my arms. I let him. He seems an angel in human form, and I feel safe within his embrace. Into my hair, he whispers, ‘It’s okay. I’ve got you. I got you now.’

Can I take the leap of faith?

Now, there’s the question.

Live or die?

Please take the time to visit Harmony’s RWISA page!

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Look at Amazing Cuba with #RRBC RWISA author @mhthompsonsr #faith

Today, I welcome RRBC RWISA author Michael Hicks Thompson and this powerful piece about Cuba:

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DETOUR → CUBA

PART I

Once the port-of-call jewel for Magnus Wealthy, Cuba has been a country lost in time for the last half century, plus some.

Never been to Cuba? I recommend it. But do it before it returns to the playground of the filthy rich and the Hemingway admirers.

Yes, I’ve been there twice. But not as Magnus Wealthy. Think short-term mission trip. Door-to-door evangelism. Knock, knock. “May we come in.” (Of course, my interpreter said it the proper way: “¿Podemos entrar?”)

An interpreter is essential if you can’t speak the language.

But here’s the beautiful thing. Most Cubans are the friendliest people you’ll meet. They love to meet and greet Americans. We’re a mystery to them. It’s amazing. And understandable. Most have never tasted freedom.

Castro usurped the country in the biggest land swindle ever. Now, the elderly Cubans alive today are happy with a single, pathetic gift from Papa Castro’s government.

“He give me this cooking pot,” the appreciative, sun-wrinkled, Spanish speaking octogenarian said.

Never mind that his midget refrigerator will take him a lifetime to pay off.

PART II

We flew into Havana, via Mexico, spent the night and flew on to Holguin (hole-Keen) early the next morning. It’s a four-hour flight. Cuba is the size of California.

The ‘hotel’ in Holguin was once a grand one—now, dilapidated. Papa not only didn’t let the government keep hotels up to standard, he took the toilet seats away. From personal experience, I can assure you he did it to humiliate the eleven-and-a-half-million souls into submission.

Ask any American what Cubans look like and they’ll include “dark-skinned” as an answer. However, you’d be surprised to see nearly as many red-headed and blue-eyed Cubans as dark-skinned islanders. The Spanish influence is apparent. Fifty-one percent of Cubans are Mulatto, thirty-seven percent, White, and eleven percent, Black.

All Cubans are proud. And friendly. Why shouldn’t they be? They’ve not had the outside world of communications and world events for three generations. They’ve simply missed the rise in socio-economic gain around the world. They’ve been isolated. They don’t know any other life. They’ve lived on Cuban baseball and communism since 1959.

And they’ve avoided all the gun-shot TV news and television episodes of Law & Order. God blessed them.

Or, did He?

When I think of Cuba, I think of Maria. She’s the Lady who led our group through Cuba. Maria was born and raised in Havana, in a prominent family.

Shortly after Castro took over, her father gathered his wife and children and fled to America.

Maria has such a huge heart for her native land. She’ll always love her people and her land.

Many wealthy families left their homes and their businesses behind; to start over. But the ones not able to afford travel remained behind. They faced the dark days of seclusion.

Catholicism gradually faded away. To be replaced by many false religions—Santería being the most prominent. It’s a singing religion based on the old songs of slavery. So, most Santeríans are descendants of African slaves.

PART III

Every morning ten of us would have breakfast, pray, and pile into vans with our interpreters for an hour or two ride to a small village, usually to the south, near Guantanamo. A different village each morning. That way, we could avoid the immigration officials who’d heard we were proselytizing in their country. Only once did we hear our leader yell out, “Everybody in the vans. We have to leave. Now!”

We would meet at a local house church and greet the pastor. Some would have no more than ten church members; some as many as thirty. We snuck in bibles, clothes, hygiene products, and boatloads of gum.

Each church provided a local member to escort us, individually with our interpreter, to un-churched homes in the village. The patriarch or matriarch always welcomed us. Some even asked us to hold off any discussion so they could gather their family. Even neighbors. All ages would gather around in a small living room, many sitting on the floor, while we introduced them to original sin, Jesus, the Gospel, and a merciful God.

The interpreter kept track of those who repeated the prayer of salvation (asking Jesus to come into their hearts and save them from eternal damnation). More than a few grown men cried on my shoulder after accepting Jesus into their hearts.

Naturally, there were plenty who preferred to worship their idols. Ceramic statues, sometimes made of wood or plastic.

If the idol worshiper wasn’t getting what they wanted from their man-made God, they’d place them face down in their underwear drawer, to punish them. Strange stuff. And sad.

At the end of the week, our leader would give us the number. “Four-hundred-fifty-two made a profession of faith this week. You’ve not only sowed the seeds of the Gospel, you’ve been a part of the harvest.”

That made me feel pretty good, but we all knew Holy Spirit had been working in those hearts long before we arrived. Only God can change the heart of man. But, what really made me warm and fuzzy, was the sight of my sons who’d been able to join us on the mission field. They had been part of the harvest. And it would have a lasting, lifetime effect on their lives. They talk about it to this day.

And so do I.

Michael Hicks Thompson is a RRBC RWISA author. Please visit his page here.

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#releaseday THE SOLDIER’S RETURN #historicalfiction

 

The Soldier’s Return

Book 2 in the HEAVEN’S POND Trilogy is now available in paperback, for your Kindle, and FREE with the Kindle Unlimited lending library.

The year is 1626. A senseless war rips through parts of Germany. Ongoing animosity between the Catholics and the Protestants has turned into an excuse to destroy much of the landscape situated between France, Italy and Denmark. But religion only plays a minor role in this lucrative business of war.

The young dutchman, Pieter van Diemen, returns to Amsterdam in chains after a period of imprisonment in the Spice Islands. He manages to escape but must leave Amsterdam in a hurry. Soldiers are in demand in Germany and he decides to travel with a regiment until he can desert. His hope of survival is to reach Sichardtshof, the farm in Franconia, Germany; the farm he left ten years ago. His desire to seek refuge with them lies in his fond memories of the maid Katarina and her master, the humanist patrician Herr Tucher. But ten years is a long time and the farm has changed. Franconia is not only torn by war but falling victim to a church-driven witch hunt. The Jesuit priest, Ralf, has his sights set on Sichardtshof as well. Ralf believes that ridding the area of evil will be his saving grace. Can Pieter, Katarina and Herr Tucher unite to fight against a senseless war out of control?